Reena Kallat’s ‘Woven Chronicle’ questions what borders mean in an interconnected world

Reena Kallat's 'Woven Chronicle' questions what borders mean in an interconnected world

Amongst the interesting mix of contemporary, inventive pieces by Indian and international artists at this year’s India Art Fair, one stood out: ‘Woven Chronicles’ by Mumbai-based artist, Reena Kallat.

Using giant electric wires like yarn, Kallat traces the movement of migrants and refugees across a large world map in her piece. It’s a colourful and intriguing comment on a world that is more interconnected than it has ever been before, but at the same is in the midst of a ‘new age of walls.’

“The wires highlight the inherent contradiction in celebrating an increasing connected world while stringent immigration laws, closed borders and prejudice face individuals seeking to transgress geographic boundaries” says Kallat in conversation with The Daily Pioneer.

Featured Image Source: Jugni Style
Featured Image Source: Jugni Style

The commentary on social and political issues is a theme that Kallat often weaves her work around. ‘White Birds’ (2015) for instance, takes its inspiration from current events such as the ‘spy pigeon’ which triggered hysteria when caught near the India-Pakistan border by the Gujarat police. ‘Hyphenated Lives’ (2015), made from gouache, charcoal, ink, and electric wire on handmade paper is a beautiful exploration and wry observation on Gestalt theory and how identities are painfully stitched together and straddle defined categories.

'Man-yan Tree' Image Source: HyperAllergic
‘Man-yan Tree’ Image Source: HyperAllergic

Kallat’s art is bound to resonate during this time when the global refugee crisis and wall-building are on everyone’s minds; an exercise in contending with the dynamics of displacement and identity is well worth the effort.

Written by Priya Unni

Featured image source: Jugni Style


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